Tag Archives: 70’s

Galaxy Express 999 (1979)

At one point in Sans Soleil (1983), essay filmmaker Chris Marker, visiting Japan, turns his camera on his hotel television set. He watches footage of Japanese recovering from an earthquake, he watches samurai movies, and he watches the anime TV … Continue reading

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Supervixens (1975)

For years, pin-up photographer-turned-independent filmmaker Russ Meyer wanted to work in Hollywood. His invite came after the surprising box office success of his X-rated Vixen! (1968), and at the moment when Hollywood had pretty much thrown up its hands and … Continue reading

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Eraserhead (1977)

One of the most important images in David Lynch’s debut feature Eraserhead (1977) comes toward the end of a surreal montage, meant to establish a chain of strange motifs and to cold-immerse the viewer into the nightmare world of the … Continue reading

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